As soon as I saw the lineup for the Bang Face Weekender, I started researching flights to England. It’s that exciting! Alas, the dollar is weak and gas ain’t cheap, so it’s only wishful thinking for now. This happens every year with some music festival or another and the lineups just get more siiiiiick every year. Bang Face hails itself as “A Neo-Rave Explosion of Acid, Jungle, Rave Hardcore, Drum & Bass, Breakcore, Techno, Electronica and Abstract Dance” which only hints at the range of amazing talent presented each year. The 3 day festival takes place at the end of April at Camber Sands and features three different staging areas – the Rave/Jungle/Breakcore Room, The Electro/Bass/Techno Room and a round-the-clock chill-out room. ([More →])

A few of ragga and dancehall’s most prolific powerhouses have teamed up with the urban dub/hip hop/electronic music label Metatronix to create a bumpin album of hybrid remixes. Dominated by the vocal talents of Anthony B, Sizzla and Capleton over furious music production by The Bug, High Priest, DMX Krew, Eliot Lip and more, this album is going to be bumpin trunks in urban neighborhoods worldwide. ([More →])

I found a remarkable story on the Village Voice today. Part mystery thriller, part treasure hunt, part news. It concerns the discovery of some “new” talent, a pair of electronic musicians who collectively go by the name of Tuss, but who individually call themselves Brian Tregaksin and Karen Tregaskin. Tuss released Confederation Trough in their early days, then the prestigious release that caused electronica enthusiasts to sit up and take notice – Rushup Edge on the elite UK publisher Chrysalis.

The article in the Village Voice mostly reviews this epic album, but seems stuck on the idea that the Truss is no rookie electronica act. The writer instead forwards the notion that has been circulating through lists and forums – that this is another eponymous work by the elusive Richard D James, a.k.a. Aphex Twin. ([More →])